Prva asocijacija na Švajcarsku arhitekturu, jesu dva velika imena, Le Corbusier, tvorac
moderne arhitekture i Peter Zumthor, dobitnik prestižne Pritzkerove nagrade. Obojica
proslavljeni arhitekti, od kojih je prvi svoj trag ostavio u glavnom gradu
zemlje u kojoj je rodjen.
U Cirihu se nalazi Heidi Weber museum ili
Centre Le Corbusier, posljednje djelo ovog arhitekte. Heidi Weber je bila kolekcionarka,
koja se 1960-e godine obratila Le Corbusier-u, u želji da dobije javnu zgradu
za izložbe.
Smješten
pored ciriškog jezera, u neposrednoj blizini kineskog vrta, ovaj muzej
predstavlja fuziju umjetnikove estetike u arhitekturi, dizajnu, slikarstvu i vajarstvu.
Objekat je dobrim dijelom sačinjen od bruto betona, Le Corbusier-ovog omiljenog
građevinskog materijala. Lebdeći krov oslanja se na betonske pilone, koji
predstavljaju kostur objekta, u čijoj je unutrašnjosti tijelo sačinjeno od
čelika i staklenih panela u boji. Ovi paneli su ređani u određenom ritmu, i ne
mogu da se otmem utisku kako u određenoj mjeri podsjećaju na podjele fasade
kakve prave drvene grede bondručnog stila gradnje, koji je tradicionalan u ovom
podneblju. Osim što sadrži umjetnikove skice, crteže, slike i skulpture, ova
zgrada je sama po sebi eksponat.
Iako nije uvršten u većinu turističkih vodiča,
ovaj objekat je na listi švajcarskog kulturnog naslijeđa od nacionlanog
značaja. Činjenica da je Le Corbusier jedini arhitekta čiji se lik nalazi na
novčanici neke zemlje (novčanica od 10 franaka), govori o značaju i uticaju
koji je ovaj umjetnik iza sebe ostavio.
Two big names come to our mind when we think of Swiss
architecture, Le Corbusier, the creator of modern architecture, and Peter
Zumthor , winner of the prestigious Pritzker Prize. Both celebrated architects,
of which the first one left his traces in the capital city of the country where
he was born.
Zurich is the home to Heidi Weber Museum or Centre Le Corbusier,
the last work of this architect. Heidi Weber was a collector, which in 1960
approached Le Corbusier, in order to obtain a public building for the
exhibition.
Located next to Lake Zurich, close to the Chinese garden, this
museum is a fusion of the artist's architectural aesthetic, design, painting
and sculpture. The building is largely made of gross concrete, Le Corbusier's
favorite building material. The floating roof rests on concrete pylons, which
represents the skeleton of the building, whose interior body is made of steel
and glass panels in color. These panels are composed in certain rhythm, and I
can not help the feeling they are somewhat reminiscent of the divisions on the facade
of real wooden beam timbered architectural style, which is traditional in this
region. Besides containing the artist's sketches, drawings, paintings and
sculptures, this building itself is an exhibit.
Although not included in most tourist guides, this building is
on the list of Swiss cultural heritage of national importance. The fact that Le
Corbusier is the only architect whose image is on the bill of some country (banknote of 10 francs), speaks about the importance and impact that this artist
left behind.
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